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fancybidet:

cleolinda:

dhaunea:

makeupbox:

How to use Duos, Trios, Quads, Quintets???! (A few basic shapes that work with all eye shapes)

The first thing I always tell people when it comes to eye shadow application is - find your socket line. And learn to separate that from your crease. 

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There is a myth about applying shadows “on/within your crease”. Well that’s fine if you have very defined, even, thick lid folds. But if you have hooded eyes, mono-lids, or smaller lids where the crease is either not visible or not high enough, many eye-shadow looks can be very unflattering or they simply disappear when you open your eyes. 

What to do? Simply replace the word “crease” with “socket line” from today on. If you have mono-lids and hooded lids, it’s important to blend your shadows UP TO your socket line at least. That not only defines your natural contours but also widens the eye. 

  1. Your socket line is where your eyeball dips into your orbital bone. Close your eyes and feel for it.
  2. Flattering eyeshadow looks are all about "creating shadow and light" in the right places. Even if your eye contours aren’t very defined naturally, placing a bit of deeper color along your socket line and a pale shade in the center of your lid will create the illusion of more pronounced contours without making you look too dramatic.
  3. I DON’T recommend creating a fake socket line higher or lower than your natural one. It can go very very wrong unless you’re an absolute pro.
  4. Many times we use brushes that are way too big or fluffy. If you have small lids or eyes, a smaller, round-ferrule pencil brush like the one from 13rushes can make life a lot easier. Go for the flatter, wider brushes if you have a bigger lid space to work with. 

Now that we’ve got that covered, you can get back to the question of “what the heck do I do with this palette that has 2-3-4-5 shades?!” and look at the images above as a reference for where colors go.

Don’t be restricted by the image with the 4 shadow palettes and the labels on each of the shades. It’s there as a reference but the best thing is to look at the eye charts, because you can use any 2 shades in a quad or a 5-color palette as a duo using a DUO diagram.

Steps don’t include liner (optional) and mascara, so you just add them later.

THESE ARE NOT RULES. They’re just basic guidelines for those who aren’t too familiar with eye makeup yet. 

Lastly, when looking for eyeshadow palettes, here are some beginners’ tips:

  1. My palette has one cream/liner/glitter shade! Well, take those out of the equation and see how many regular shadows are left. If there are 3, shadows left, follow the TRIO diagram. If there are 2, follow the DUO diagrams. 
  2. Erm, so what do I do with base/liner/glitter shades? Apply the base all over from lash line to socket bone before you begin (you don’t need to go all the way to your brows unless you want a dramatic look). For glitter shades, you can apply them as a wash all over when you’re done with the rest of your eyeshadows, or down the center of the eye for a “wet look” when you blink. Liner shades are self explanatory!
  3. DUOS: look for those where 1 shade is the same lightness or lighter than your skin color, and 1 shade is darker/smokier. Doesn’t matter if they are metallic, shimmery, matte, sparkly. For most basic daily makeup looks, you just need a light and dark to define your eyes. 
  4. All palettes: make sure there is a "balance of light to dark shades". This means at least 1 softer shade and at least 1 dark shade that is deep enough to act as a definer shade. (There are a lot of palettes where all 3-4 shades are pretty shimmery pastels. Well, sorry but they’ll look nicer on your vanity table than on your face. You need a darker shade there for definition and contouring in order for the palette to look flattering. 
  5. QUADS: What do you do if there are 2 pale shades? Which should you apply on your brow bone, and which as an accent in the center of your eye? The less shimmery/sparkly one on the brow bone, and the more dramatic and reflective one on the center of the eye. If they’re about the same texture, then it doesn’t matter which you use where.
  6. 5-6 SHADE PALETTES: Many people find them overwhelming, but you really don’t need to wear all the colors everyday. You can pick 2-3 shades and wear them as a duo or trio (See diagrams) easily. So they actually give you the most options!

Some Idiot-proof Eyeshadow recommendations:

Duos: Laura Mercier eyeshadow duos. Always well coordinated, with 1 soft/matte shade and 1 darker, richer one. Takes the guess-work out of eyeshadow application.

Trios: A lot of drugstore brands like Wet n Wild Color Icon have pre-coordinated trios with the shades marked out as lid, crease, browbone for you. Just remember “crease” = socket line. In the higher end range, Dior’s 3 Couleurs are beautifully coordinated and easy to use and blend.

Quads: Tom Fords and Chanels have some of the easier to use luxe quads in the market, but if you’re going for the Tom Fords, remember to minus out the sparkle shades. (E.g. 01 Golden Mink is what I’d consider a duo, not a quad, because there are 2 sparkle shades out of the 4, and I’d apply the 2 satin shades using one of the DUO diagrams above, and then decide how I want to apply the sparkles.)

**Laneige Pure Radiant eyeshadow quads (S$40) are a fantastic alternative - not dupes cos there are no exact palette matches, but great alternatives - for Tom Fords (S$100) because the satins and glitter textures, as well as a few of the shades, are actually very very similar. If you love the look of TFs but find the prices a little steep in Asia, take a look at the Laneige counter! See for yourself!

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Quintets: Lancome’s Hypnose palettes are still one of my favorites. They usually have the BEST balance of dark and light shades, and they’re perfectly coordinated with each other, so you can pick any 2-3 shades out of the 5 and go.

**Diors are a good option if you have more mature lids or prefer smoother, more translucent pigments but the 5 couleurs are’t as well-balanced as Lancomes, so unless you’re very experienced and know how to add definition using liner and mascara, I’d pick a few colors and use these palettes as duos and trios rather than a quintet.

If you want to break the rules completely and do it like makeup artists do sometimes, NARS’ duos are pretty much on the opposite spectrum to Laura Mercier.

They do have light vs dark shades too, but there are also tons of funky clashing duos designed for maximum drama on the lids. Stuff like Rated R (lime and blue) and Bysance (yellow and violet) can still be applied using the 2 DUO diagrams above, but the final effect will be VERY bold. Probably better for the club than for school or work.

So very relevant to my current interests.

Helpful if you’re trying to figure out what to do with the Aromaleigh “This Is My Design" colors. I have deep-set eyes, so yeah, I generally blend a "crease" color up to/over my socket line so you can even see it. I’m experimenting with some of the other colors to see what might blend well with the darker or more vivid shades; turns out that Tattler is really, really pretty blended with Everlasting Credit as your lighter shade, like a sunset. It also worked with Yarrow, a matte, and would probably work with a shimmer like Sophie. I’m still working out what might go with Ravenstag and Murder Tie. 

I learnt so much. (Also it’s great to have mono and hooded lids considered!)

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Source: makeupbox
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darkallieway:

obsessiforge:

nanenna:

madokasmagical:

Okay but consider this: mermaids in space

Space mermaids? As in: alien mermaids that live in the vacuum of space and swim between the stars? A setting that uses the analogy of deep space as the open ocean but keeps all the sea monsters? DO WANT!!

Luring astronauts into black holes with a song that carries across the void where no one can hear you scream

Not audible song, though—maybe they sing in frequencies that ship’s sensors pick up—as distress beacons, as spaceports, as fleets. They would have to be huge, to travel between stars, massive space-black bodes with biolumescent patterns, photosynthesizing pure starlight into fuel, too enormous and frail to hold up in the atmosphere of a world. Fins that catch solar radiation instead of water, schools of them slingshotting between stars. Eggs laid in the tails of comets that warm and hatch as they rocket around suns. Voices that are heard in the slow radio pulses of quasars; language of half-light. Homes in the shelters of nebulae, like clownfish and sea anemone. They gather together star-stuff, shape solar systems like we build houses. Maybe, like certain breeds of lobsters, they never stop growing, so there are a few really ancient ones, star-eaters, curled up and sleeping in the warm glow of red suns, layered over with a crust of asteroids; so big passing ships assume they are young worlds, the slow thrum of their heartbeats like the pulsing of a binary system. Mermaids so large a fleet of ships is little more than krill; the universe is vast, and they live in the darkness between tiny islands of light.  

(via fionagallagherrr)

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octopluss:

drragonss:

miggylol:

pumpkin spice candles soon

pumpkin lattes soon

pumpkin everything

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WHY ARE PEOPLE REBLOGGING THIS RIGHT NOW ITS NOT EVEN AUGUST YET

the keyword is ‘soon’

(via mymumhasbrokenlegs)

Source: miggylol
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ladynara:

loveisrespect:

At the Hotline and loveisrespect, we know that domestic violence and dating abuse can affect anyone—including men. Although they make up a smaller percentage of our callers and chatters, there are many more men who do not report or seek help for their abuse, for a variety of reasons: 

  • Men are often socialized not to express their feelings or see themselves as victims.
  • Pervading beliefs or stereotypes about men being abusers, women being victims.
  • The abuse of men is often treated as less serious, or a “joke.”
  • Many believe there are no resources or support available for male victims.

No matter what your situation is, the Hotline and loveisrespect are here to help, confidentially and without judgment. Please give us a call or chat with us anytime. Click here for more info about resources and info specifically for men and boys.

This morning I noticed a 74-year-old man had written in to the newspaper’s advice column to ask what he should do about his wife. She hits him, is verbally abusive (even in front of their grandkids), emotionally manipulative, polices his whereabouts, controls his money and saves all her own to a separate account, the list goes on. His daughters and friends had told him to get out, but he was reluctant to leave a 36-year-long marriage.

You got that? She had been abusing him for the better part of 36 years and he still felt like maybe it wasn’t important and he should just endure it.

Men, please be aware that your welfare is important, too. No one should be allowed to hit or control you, not women, not other men. It is not weakness to get help. It shows great strength to acknowledge that there is a problem and to take back your life.

(via epicukulelesolo)

Source: loveisrespect
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"I understand you're paranoid. You think enemies are everywhere. I am so into that."

Deadpool Annual #2

(via fionagallagherrr)

Source: psycho-escape
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courtneythebumbling:

Reasons why I’m excited for “Dear White People:”

  • Black actors portraying 3-dimensional characters
  • Honest social commentary
  • Targeted to the college age demographic
  • Thorough exploration of the various forms of racism in America
  • Tessa Thompson’s voice and Tyler William’s afro wig

Reasons why I’m not excited for “Dear White People:”

  • White people calling it racist
  • Mainstream media agreeing with the white people calling it racist

(via fionagallagherrr)

Source: courtneythebumbling
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soulessspinelesssenseless:

destieloquent:

clannyphantom:

shotquns:

hot doctor game too strong

my throat is sore maybe ur dick could soothe it

Of course, supernatural gets pulled into this

(via mymumhasbrokenlegs)

Source: shotquns
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sweetmarigold:

star-anise:

kissingcullens:

…”And more importantly, is he single?”

Steve and Natasha in unison: "NO."

Sam looks like he’s having a religious experience.

(via russialovespilots)

Source: gvoot
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fizzylimon:

tittily:

my favorite thing about england is that the word pulp doesnt exist 

anglosurfmops's mum asked me if I wanted my orange juice “bitty” and I thought she was asking me whether I wanted it in a small glass

(via russialovespilots)

Source: tittily
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micdotcom:

Forget the spreadsheet, here’s an easy flowchart to know if a women owes you sex

Microsoft Excel took a turn for the explicit this week when the Internet learned the once-innocuous office tool was being used in a dispiriting new bro-trend: using the software to track of the number of times their partners refuse sex. Yes, #sexspreadsheets are a thing, presumably because some men still believe that owning of a penis entitles them to unlimited sexy times.

Sorry, guys, that’s just not the way the world works | Follow micdotcom 

(via fuckyeahsexeducation)

Source: micdotcom
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hobbitballerina:

chelseawelseyknight:

witchesbitchesandbritches:

lifeundefeated:

Yea it’s clearly our “generation that’s making homosexuality a trend.” Seriously, pisses me off when people say that. look at this! It’s always been around, it’s not a trend, it’s real. It’s beautiful.

These are really beautiful images.

This makes me really happy

There’s a long history of lesbian-like activity in the West.  In the 19th century US, especially after the Civil War killed off so many young men, middle-class and other genteel girls were encouraged in Boston marriages — relationships with other women of similar educational and class backgrounds.  Since women were considered naturally chaste and disinterested in sex, these love affairs were seen as innocent and spiritual.  Women’s lives were wholly separate from men’s that young women infrequently had male friends who weren’t considered a marriage prospect.  They were encouraged to keep to all-female social circles, and the advent of women’s colleges further encouraged that.  Women were expected to mentor each other, love each other, dance with each other, with the older woman acting as the cavalier, the man in the relationship, protecting and guiding the younger, pursuing her and courting her in ways not unlike how young men would court their brides.  But the prevailing cultural wisdom was that these relationships would be limited to kisses and poetry — women were incapable of sexual desire, they tolerated sex in heterosexual marriages because men were sex-driven beasts who demanded it of them.  Without a man, it was presumed that these relationships would be chaste, innocent, and wholly emotional.  Lesbian-like behaviour is most tolerated when women are perceived as less sexual than men.  Homosexual behaviour becomes threatening when sex is involved — when, in the 1920s, women were seen as able to have sexual drives and the idea of sexually companionable marriages came onto the landscape, Boston marriages suddenly became unnatural and disgusting because they directed women’s sexual interests towards other women instead of to the proper channels: towards men.  The flapper was all about the sexually available (to men) young woman.  She contributed to the demise of widely accepted lesbian or lesbian-like relationships.  As soon as the flapper was capable of wanting sex herself instead of tolerating it from her male partner, lesbian/lesbian-like relationships were threatening, deviant, and ruined young women’s chances to become good wives and mothers.

So remember this as you look at the pre-1920s images.  Those women were allowed these passionate loves, even encouraged in them (sometimes after they managed to get a husband, Eleanor Roosevelt in particular), all because the patriarchy was convinced that women weren’t capable of sexual feelings towards one another.  As long as women were seen as desexed, as creatures of sentiment and emotion instead of passion and desire, lesbianism wasn’t a threat.  The minute women were regarded by patriarchal culture as having a natural sex drive, lesbian-like behaviour became deviant and damning.

We didn’t invent homosexuality in the past 20 or 30 or 50 years.  But we continue to labour under the belief and cultural expectation that women’s sexuality is something owed to and owned by men, forever de-legitimising women’s relationships unless men in some way benefit. 

(via epicukulelesolo)

Source: babycocodill
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allthingslinguistic:

Practice with Pronouns is a site that lets you practise subject, object, possessive, and reflexive forms of English third person pronouns. It comes with a few of the most common options, but you can also fill in whatever pronouns you like. Useful for both English learners and people wanting to practise using nonbinary pronouns.  

As if it couldn’t get any more delightful, it often uses quotes from Welcome to Night Vale in the practice sentences, which is definitely far more entertaining than See Spot Run. The feedback sentences are also very cute. 

(Hm, I’m pretty sure the second blank in that screenshot should have said “xyr”, in retrospect.)

(via fionagallagherrr)

Source: allthingslinguistic